Tethering with the Surface Pro: An Evolution of Clamping Choices!

Posted in General, Landscapes, Nature & Wildlife with tags , , , , , , , , on May 29, 2015 by kendoophotography
Some of the clamping options used while tethering with the Surface Pro through the generations.

Some of the clamping options used while tethering with the Surface Pro through the generations. ©2015 Ken Doo Photography

Over a year I ago, I first wrote a blog article concluding that the Microsoft’s Surface Pro with touch screen interface and USB3 capability was a game changer for those tethering with Phase One IQ series and Leaf Credo medium format digital backs. Now with the Surface Pro 3 and soon to be released Surface Pro 4, that still remains true today. The power of a laptop in a tablet form, the Surface Pro using a full version of Phase One’s Capture One Pro to view full resolution RAW files far surpasses anything offered by viewing via WiFi or puny JPEG files. Even for DSLRs, tethering with a Surface Pro offers great tethering functionality for those who seek a portable tethering option.  Originally I used and recommended the Arkon Clamp to hold the SP2, which can be seen at the rear of the above photo. Since that time, the search for the perfect clamp has ensued, all offering improvements over the first generation Arkon Clamp, but also with known limitations or compromises. The Wolf Clamp (pictured in the above photo on the left) added a pano rail with end clamp and RRS FAS clamp to hold the tripod head and camera. While the Wolf Clamp added increased capability, it is also very stout and bulky making it extremely difficult to pack into a camera bag. It is not inexpensive either. The Pig Clamp (pictured above, right) with its flat stature is perfect for hiking, but its light weight also meant not being as stout as the others. The Pig Clamp also uses the same pano rail and FAS clamp as the Wolf Clamp. The Pig Clamp is inexpensive, and I still have a few available on the shelf.  While some choose simply to handhold the Surface Pro, others have opted for a tripod stone bag, such as Vanguard’s tripod stone bag.  But I wanted something better.  So my search continued, resulting in what I feel is the best possible clamping solution(s) for tethering with the Surface Pro on location.  Don Libby of Iron Creek Photography and I call this the Capture Location Integrated Tethering System. There are actually three versions, but as you will see below, I greatly favor one over the others.

Capture Location Integrated Tethering Systems for the Surface Pro.

Capture Location Integrated Tethering Systems for the Surface Pro. Version 1 on the left; Version 2 on the right. Not shown here is Version 3—see below.

There are three variations of this latest generation clamping system, with two using the same RRS MPR-CL II pano rail (or similar), RRS FAS clamp, an Arca Swiss compatible plate, and all using a Giottos Professional Mini-Ball head, as pictured above. Using the RRS Duo Package rail may give slightly more vertical adjustment.  Stay tuned here to the blog as I may be updating the shopping list to include other recommended rails that may give slightly more vertical adjustment, attaching the ballhead directly to a 200mm multi-purpose rail as opposed to used a permanent quick release attachment point.  My preferred system is the magnetic CLIT Clamp on the shown above on the left, but quickly I am liking the last magnetic CLIT Clamp tripod variation best. It also uses a small metal cheeseplate, metal mounting plates, rare earth magnets, and a Urban Armor Gear (UAG) protective case for the Surface Pro.  Don’t worry—a shopping list of all the necessary items is at the bottom of this blog article.  The CLIT Clamp version 1, as illustrated above, thin metal mounting plates (with 3M self adhesive) are adhered to the metal cheeseplate. The metal plates give more surface area for the adhesive to grab onto.  You will need to cut a metal plate into tow pieces using metal sheers or heavy duty scissors. Use a hammer to gently tap the cut edges flat and smooth before using the self-adhesive to apply the plates to the cheeseplate.  Two Nite Ize rare earth magnets are then glued onto the cheeseplate using the included 3M VHB tape. (note: don’t skimp on the magnets—get the ones from Nite Ize). A thin metal mounting plate is then fastened with the adhesive onto the back of the UAG case, at the top of the leg, making sure to leave just enough space so that the leg can fully extend without obstruction. There will be a slight overhang by the metal plate on the leg, but it will not interfere with use of the leg of closing the leg into the UAG case.  Make sure to use rubbing alcohol or lens wipes to clean all surfaces before applying adhesives.  You must use the UAG case. I tried to use the Surface Pro with the metal plates directly on the back of the Surface Pro with only limited success. The strength of the magnets will interfere with some functions of C1Pro (such as the loupe) on parts of the touch screen directly opposite the magnets. If you would like to use the magnets without the UAG case, I have some Giron magnetic shielding available for sale. For those wishing additional magnetic shielding, a thin piece of MuMetal or any sheet will further increase magnetic shielding permeation and saturation levels. In my testing, the UAG case is more than sufficient and works beautifully.

 

UAG case with thin metal plate attached to the leg. The leg remains full functional and the metal plate is barely noticeable.

UAG case with thin metal plate attached to the leg. The leg remains fully functional and the metal plate is barely noticeable. Can be used on all CLITS Clamp versions, but is required on versions 1 and 3.

Magnetic Capture Location Integrated Tethering System shown alone and with Surface Pro attached.

Magnetic Capture Location Integrated Tethering System (Ver 1) shown alone and with Surface Pro attached. Cambo technical camera on Arca Swiss Cube, attached to RRS FAS clamp and MPR CLII rail. Giottos mini ballhead is attached with a AS quick release plate.

The rare earth magnet CLITS Clamp is stable and easy to use. It is fast and easily adjustable. And it packs well. I believe that this latest Surface Pro clamping system, versions 1, 2, and 3, offers the best in both capability, ease of use, and portability.  As you can see in the video below, the use of the rare earth magnets makes attaching the Surface Pro an easy and fast proposition.  

For those not wishing to use a UAG case, the CLITS Clamp version 2 can be adapted using the same pano rail, FAS clamp, and Giottos Professional Mini-ballhead with Desmond top clamp with lever quick release.  Using 3M VHB tape, a quick release plate is attached to the back of the Surface Pro, taking care not to obstruct use of the leg hinge.  Alternatively, a quick release plate could also be attached to the UAG case using 3M VHB tape.  Apply rubbing alcohol or a lens wipe to clean the area prior to applying the adhesive tape and quick release plate to the Surface Pro. A small Desmond lever quick release is then attached to the Giottos Professional Mini-ballhead.  The Desmond top clamp comes with a 3/8″ bushing reducer, which you should apply blue loctite before installing. The 3M VHB tape adhesive is very strong. If you need to remove the adhesive, apply rubbing alcohol with a cotton swab to loosen the bond and use either fishing line or dental floss to cut through the adhesive. Apply more rubbing alcohol to rub off the remaining adhesive.

Generic AS Compatible plate on the back of a Surface Pro for illustration.

Generic AS Compatible plate on the back of a Surface Pro for illustration of the CLITS Clamp version 2. Using a KPS Slim Plate provides a much lower profile. Attachment of a quick release plate on the UAG case is a preferred option too.

Using the KPS Slim Plate (SU7) would provide a much lower profile than a AS compatible plate

Using the KPS Slim Plate (SU7) would provide about a 50% lower profile than a AS compatible plate

For those who wish to have the absolute best, lowest profile solution for this version 2 of the CLITS Clamp, I highly recommend instead using the KPS Slim Plate system (SU7) and a either a compatible KPS top clamp on the Giottos Professional Mini-ballhead or a KPS mini ballhead. This is a more expensive quick release plate solution, but it is also has a much lower profile. The KPS Slim Plate is approximately 50% thinner than a standard AS plate.  See, www.legioaerium.com  The KPS ballhead also has a much higher rated capacity. KPS has agreed to send me their mini-ballhead to compare. For those seeking to use KPS Slim Plate compatible components, I advise contacting the US KPS distributor directly for best pricing and to order the correct parts.

CLITS Clamp version 3 features magnetic mounting but on the tripod leg

CLITS Clamp Version 3 features magnetic mounting but on the tripod leg. This version does not use the RRS FAS clamp or pano rail, yet still has good adjustment capabilities using the Giottos mini ball head. The compact CLITS Clamp Version 3 is my preferred clamp version.

The last version, the CLITS Clamp version 3, was put together after brainstorming with fellow professional photographer Paul Caldwell. This last clamp version is quickly becoming my favorite. This final version uses a Manfrotto Nano clamp. This small clamp has both 1/4″ and 3/8″ receiving screw holes. A one-inch headless 1/4″ bolt is screwed into the Nano clamp. The Giottos mini ballhead is then attached to the bolt. For a more capable mini ballhead, opt for the RRS BH-25PF instead. The same cheeseplate with the magnets in Version 1 is then attached to the ballhead.  This version allows attachment directly onto the tripod leg. In the photo above, the Nano clamp is able to attach to a RRS TVC 3 series tripod leg. Be careful not to over tighten and damage the tripod leg. A small strip of gaffers tape can be used if desired to protect the tripod leg.

Small, light, fast and easy to use. This version of the CLITS Clamp attaches to the tripod leg and is easily packed for on location tethering with the Surface Pro.

Small, light, fast and easy to use. This version of the CLITS Clamp attaches to the tripod leg and is easily packed for on location tethering with the Surface Pro.

This version of the CLITS Clamp is small, yet allows abundant movement of the Surface Pro tablet. The Surface Pro can be easily held or placed onto the clamp. Version 3 of the clamp is barely five inches in length and well under a pound in weight, making it easy to take along in a backpack pocket. I recommend storing the magnetic surface of the clamp away from the Surface Pro or other sensitive electronics.  What is great about the CLITS Clamp system is that it is modular and integrated, using many of the same parts, allowing users to easily modify the clamp from one version to the other.  Version 3 is my preferred tethering clamp and I will probably upgrade my Giottos ballhead with the RRS BH-25PF ballhead in the near future.

For further tips on tethering with the Surface Pro, there are a couple of threads on the forums at www.GetDPI.com or feel free to drop me a note at my boutique portrait studio in Carmel or visit my fine art printing site, Carmel Fine Art Printing & Reproduction.  You can see my landscape work at www.houseoflandscapes.com  Ken Doo

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Capture Landscape Integrated Tethering System (magnetic clamp)

  1. RRS MPR-CL II (or similar), RRS Duo Package or Sunwayfoto pano rail; or Neewer 200mm multipurpose rail –the last option still requires a RRS FAS clamp or similar and the Giottos ball head attaches directly to the bar without quick release; no end clamp knob means more vertical adjustment for folks like Graham Welland who demand it.
  2. RRS FAS clamp
  3. Generic AS compatible quick release
  4. Giottos Professional Mini-ballhead
  5. Smallrig cheeseplate
  6. (2) Nite Ize rare earth magnets (for tablets)
  7. (2-4) Metal plates
  8. UAG case for Surface Pro 2 or Surface Pro 3

Capture Landscape Integrated Tethering System (QR plate)

Same RRS (or similar) pano rail components noted above and:

  1. Giottos Professional Mini-ballhead
  2. (2) generic quick release plate
  3. Desmond lever release top clamp
  4. 3M VHB tape

KPS Slim Plate low profile system:

  1. KPS SU7 slim plate
  2. 3M VHB tape
  3. KPS lever release top clamp
  4. KPS mini/compact ballhead with slim plate lever release
  5. generic AS release plate (for bottom of KPS ballhead)

Capture Landscape Integrated Tethering System (Tripod)

  1. Giottos Professional Mini Ball head
  2. Smallrig cheeseplate
  3. one inch long headless 1/4″ threaded bolt
  4. (2) Nite Ize rare earth magnets (for tablets)
  5. (2-4) metal plates
  6. Manfrotto Nano Clamp

For those wishing to use a higher capacity mini-ballhead, I suggest the RRS BH-25PF ballhead.   ken

Lucretia Cambas and Emy Ledbetter Art Exhibition May 23, 2015 — Meet the Artists!

Posted in Events, General with tags , , , on May 18, 2015 by kendoophotography

Flyer web

Come visit the studio this weekend, Saturday, May 23, 2015 and meet 100 year old artist Lucretia Cambas and Carmel artist Emy Ledbetter.  Both of their varied works will be on display this Saturday, from 1:00 P.M. until 6:00 P.M.  Original works and giclee fine art reproductions will be available for purchase.  Meet the artists and enjoy some refreshments!  Please call the studio at (831) 626-1844 for questions or directions.  Ken

Both Lucretia Cambas and Emy Ledbetter are featured artists at www.carmelfineartprinting.com   You can view their galleries and purchase fine art reproductions as well.

The KPS T5 Geared Ballhead: In Search of the Elusive White Unicorn

Posted in General, Landscapes, Nature & Wildlife, Portraiture with tags , , , , , , , , , , , on April 15, 2015 by kendoophotography
Carmel Sunset

Carmel Sunset. ©2015 Ken Doo. Cambo WRS, Phase One IQ180, Rodenstock HR40 t/s, RRS TVC-33 with KPS T5-DV geared ballhead.

Background.

Photographers and camera bags are a lot like women and shoes. The endless search for the perfect camera bag is as evasive as the perfect pair of heels.  Finding the right tripod head is not much better. And if you are looking for a geared tripod head with an eye towards using it outside of the studio, the choices are slim indeed.

In 2009, Jack Flesher, wrote a review for the Luminous-Landscape on the Arca Swiss Cube, a really remarkable geared tripod head, which arguably set the standard for quality and precision in a geared tripod head. But the Cube also came at an incredible cost: approximately $1,700 for the Cube in a corrugated box version to $1,900 for a Cube packaged in a luxurious “Coach” leather bag that no one has quite figured out what the hell to do with once they have removed its precious cargo. Pure insanity, I thought when I first read Jack’s review. No tripod head is worth nearly two thousand dollars! But then I tried the Cube, and then I understood. The silent enabler, responsible for probably the most Cube sales to date, was right. Simply stated, the Arca Swiss Cube provides precision geared movements making leveling a camera platform child’s play, all on an extremely stable and secure platform.  When photographing in the shivering cold, a geared head makes leveling the camera much easier than with a traditional ballhead. Similarly, making fine adjustments in studio is also easier with a geared tripod head.

The Cube was a worthwhile investment to me. But the Cube is far from perfect. High price aside, the Cube is heavy, weighing approximately 2.25 pounds. Its profile is relatively stout and markedly larger than its non-geared heavy duty ballhead cousins. While the Cube promises precise geared adjustments, it also sacrifices the speed of a traditional ballhead. As good as the Cube was (and still is) mounted on a Really Right Stuff TVC 3 series carbon fiber tripod, I found that the Cube was top-heavy on my lighter RRS TVC-24 tripod which I use for hiking and travel. I wanted the quality and capabilities of the Cube, but in a smaller and lighter package. And so the search began for a geared tripod head alternative.

Before discussing the merits and shortcomings of the KPS T5 geared ballhead, I think it is necessary for me to first disclose the parameters for what I consider to be an acceptable tripod head. The tripod head must be capable of providing a secure and stable platform for a moderately heavy camera system, primarily a Cambo WRS technical camera, Rodenstock lenses, Phase One medium format digital back, and sometimes also supporting tethering with a Surface Pro tablet. Other alternate camera platforms might be a Phase One DF medium format digital DSLR, or a “professional” 1D series Canon DSLR with a long lens. These are heavier platforms, and generally much more expensive systems than may be considered typical, and worrying about whether your tripod head can safely support such expensive gear should not be even the slightest concern. Mounting and leveling the camera platform should be an easy task, with adjustments made smoothly and quickly. In short, the photographer should be able to focus on the process of photography and not have the slightest worry about the tripod head that supports his expensive camera system. In a nutshell, I want AS Cube-like quality and stability in a smaller, lighter package. I wanted a geared tripod head that bestowed all the Cube’s benefits afforded to my Cambo technical camera, and preferably less expensive too.  Simple, right?

The Arca Swiss Cube is considered by many to be the pinnacle of quality for geared tripod heads. As such, the Cube naturally set the standard by which to compare other geared options, including the KPS T5 in this review.  Manfrotto’s 405, 410, and their new xpro geared heads?  Not in the running for this level of desired quality. The Manfrotto’s paltry maximum of 16 pounds of support (even less for their new xpro) falls far short compared to the Cube’s 100+lb rating.  Sunwayfoto’s GH-Pro is a smaller, lighter, and less expensive version of the Arca Swiss D4, but its 26 pound capacity rating is rather optimistic and I found it much more acceptable for a small, mirrorless camera-sized platform. Both the AS D4 and GH-Pro exhibit lift inherent in their design and are not as stable as the standard set forth by the Cube. I did not consider the Photoflex Clam nor Linhof’s 3D Micro as both are very similar to the Cube in size and weight, not to mention expensive as well.   Enter the KPS T5 geared ballhead.

The KPS T5-DV packaged alongside KPS proprietary Slim Plates.

The KPS T5 Geared BallHead

KPS Research & Design is a small Korean company, owned by P.S. Kang. Kang’s background as an engineer and designer of custom industrial machinery carried over into establishing KPS. An artist and photographer at heart, Kang started developing and making photographic equipment, initially with viewfinders for DSLRs and later introducing the KPS Slim Plate system. A T5 geared ballhead prototype was introduced at Photokina in 2010 and became available to the public in 2012 and recently in the US. The T5 geared ballhead is unique in my mind as it is not a knock-off or carbon copy of pre-existing technologies. There really is nothing else currently on the market quite like it. This is not a cheap or inexpensive head. With the T5, KPS has clearly set its sights on the higher quality end of the photography market. If I had to describe a point of quality reference, I would place the fit and finish of the T5 on par with products from Arca Swiss and Really Right Stuff.  The U.S. distributor for the KPS T5 is Legio Aerium, located in Elkridge, Maryland. www.legioaerium.com  Legio Aerium is a veteran owned business.

 T5-DV with lever quick release on left; T5D with screw clamp on right. Both are Arca Swiss compatible. The T5DV also uses the KPS proprietary Slim Plate.

T5-DV with lever quick release on left; T5D with screw clamp on right. Both are Arca Swiss compatible. The T5DV also uses the KPS proprietary Slim Plate.

I received two geared ballheads from Legio Aerium to test: the T5D with screw clamp and the T5DV with quick lever release clamp. Both are Arca Swiss compatible, but the T5DV also uses KPS’ proprietary Slim Plates as well.  The T5DV includes a generic KPS Slim Plate. Legio Aerium also included several other KPS Slim Plates for a mirrorless camera and professional DSLR body. More on the KPS slim plates later.  The T5 head came well-packaged in cut foam placed inside of an elegant box. No “Coach” leather bag, but certainly better than a corrugated cardboard box. A small pamphlet is included that explains how to operate the T5.  This is much better than the poorly photocopied instructions that came with my Cube! I used the T5 geared ballheads for a period of approximately five weeks both in studio and on location. I will be taking the T5 geared ballheads with me to Capture Integration in Lake Tahoe, a workshop I lead with Don Libby of Tucson, Arizona.

I related to Legio Aerium my disdain for the needless use of permanent red Loctite, making it much more difficult for end-users to install the top clamp of their own choosing. Users must resort to a heat gun to release the adhesive and risk causing damage to the tripod head. I do believe that Arca Swiss has lost many potential sales of their venerable Cube and D4 heads when they recently opted for the use of red Loctite to prevent end-users from using anything but the stock AS top clamps. This rather shallow approach really misses the forest for the trees. Legio Aerium agreed. KPS is sending me a T5 geared ballhead at my request without a top-clamp, and machined to my specifications, so that I can freely swap between RRS lever clamps and a panoramic lever clamp. Responsive customer service? Make that an emphatic, “yes.”  Legio Aerium has informed me that KPS will offer the T5 geared ballhead in several clamp versions, including the same T5 that I requested without a top-clamp.  Smart move. Having a choice is a good thing. Pricing for the T5 ranges from approximately $730 (without clamp), $800 for the T5D AS screw clamp, and $830 for the T5DV quick lever release clamp.  The T5 geared ballhead is guaranteed free of defects in materials and workmanship for three years.

T5-DV, Arca Swiss Cube, and T5-D

T5-DV, Arca Swiss Cube, and T5-D

The Details

The T5 is a finely machined tripod head, approximately 5 inches tall, 2.5” in diameter, and weighs about 1.75 pounds. It has a 44mm ball with a rated capacity of 88lbs. The finish is a smooth matte black. It has a lockable panning base, with numerical settings marked every 30 degrees, and markings every 10 degrees between each numerical setting. There are three main knobs that control adjustments on the T5. The larger black knob controls the head much like any other typical ballhead. The friction lock may be adjusted as desired for the weight of the camera. Initial setting of the camera with the large knob is quick and easy. What makes the T5 unique is that the two smaller red knobs can make minute geared micro-tilt adjustments on two axes as much as 30 degrees total depending on the position where the ball has been locked down.  Leveling the camera is as quick and easy as with the Arca Swiss Cube.

Calla Lillies at Garrapata State Beach. Cambo WRS mounted on KPS T5DV geared ballhead and RRS TVC-24 tripod. Phase One IQ180 tethered to Surface Pro 2 with Wolf clamp, KPS T5DV geared ballhead and TVC-24 tripod.

Calla Lillies at Garrapata State Beach. Cambo WRS mounted on KPS T5DV geared ballhead and RRS TVC-24 tripod. Phase One IQ180 tethered to Surface Pro 2 with Wolf clamp, KPS T5DV geared ballhead and TVC-24 tripod.

I found that once the T5 head was adjusted for the weight of my camera, I typically would only need to secure my camera onto the ballhead and could go directly to making minor geared adjustments to level the camera with the two red knobs. Only if large adjustments are needed did I resort to using the larger main control knob. The knobs are much bigger than those found on the Arca Swiss Cube, and when making adjustments with gloved hands, this is a welcome feature. Depending on the position of the head, however, it can take as much as half a turn of the red knobs before the T5 gears are engaged to make minor adjustments, whereas the response of the knobs on the Cube when making adjustments are immediate. This has no impact on the ability to make fine adjustments or on the stability of the platform, rather I think this is more the nature of the geared mechanism moving to engage the ballhead. The knobs on the Cube to make adjustments extend from one side of the head to the other, making adjustments easy whether the user is left or right-handed. Consequently, both hands can also be used together on the same axis control knobs, making very fine adjustments on the Cube easier than on the T5. Adjustments to level the camera platform with both the Cube and T5 are smooth and fast. The KPS T5 provided a very stable platform for both my Phase DF and Cambo WRS technical cameras. Movements and controls are smooth and refined on the T5 as should be expected.  The video clip below demonstrates leveling with the KPS T5DV geared ballhead and with the AS Cube.

https://youtu.be/Y-ceazygCDk 

Other than the numerical markers on the panning base, there are no other markings or numbers on the T5. In contrast, the Cube has numerical markers to note the amount of adjustments made along both the x and y axis. Because of the fluidity and movement of the T5 ballhead, like any ballhead, it would be impossible to note with any sense of accuracy the amount of adjustment made along the x or y axis with the T5. I do not find this to be a significant feature in my work. The T5DV lever clamp has two bubble levels. The T5D screw clamp has a single bubble level.  The Cube has two bubble levels. I find that relying on the electronic dual axis levels, found on the Phase One IQ series medium format digital backs and other digital cameras, when making adjustments is easier than using the bubble levels found on the tripod head.

Of significant note is that although the KPS T5 weighs about ½ pound less than the Arca Swiss Cube, I felt that I had not sacrificed anything in terms of a stable platform for my cameras. The standard that I use for a tripod and head is that I should not have to worry about the stability of the platform nor the fear that my camera may crash to the ground at any given moment. I should not have to think about the tripod or the attached head. The photographer need only focus on the task at hand.  I feel equally secure using the Cube and the KPS T5 geared ballhead. The biggest concern that I had was that the T5DV, like the Cube, might be top heavy when used with the smaller and lighter RRS TVC-24 carbon fiber tripod legs. I feared that although it was ½ pound lighter, that it still might not be light enough yet.  My fears were not realized as I have found that the KPS T5 is well-balanced mounted on top of both the TVC 2 and TVC 3 series tripods.  I installed RRS TH-DVTL40 dovetails on the Cube and the T5 heads which allows me to quickly swap heads and tripod legs using RRS quick release lever clamps (aka the Graham Welland quick lever release tripod head system).

Slim plate and Arca Swiss compatible plate; 1Ds Mark III shown with Slim Plate attached and also with RRS L-bracket attached.

 The KPS Slim Plate System

The T5 comes in four variants: T5, T5M, T5D, and the T5DV. All are the same and only differentiated by the type of attached clamp (or no clamp for the T5). I did not test the T5M. All of the variants are Arca Swiss compatible. The T5DV and T5M also use the KPS Slim Plate system. Rather than clamping the outside rails as the Arca Swiss standard, the Slim Plate system is secured by clamping two rails along the inside of the plate. This novel design allows the system to have a much lower profile and take on a nice body hugging design. The clamping system is secure and clamp force is easily adjustable. The Slim Plate system is well-engineered and works well, but I decided that it is not right for me. I have multiple cameras, most with L-brackets, all of which by deliberate choice use Arca Swiss compatible RRS brackets and plates. This consistency allows me to easily use each of my cameras on all of my tripods with ease. KPS does not offer a “slim plate” L-bracket and consequently Slim Plates are not an option for me. As you can see from the photos above, the Slim Plate design is much smaller in profile. For those wishing to maintain a smaller camera profile, the KPS Slim Plate should be considered. A single Slim Plate attached to the bottom of a camera is substantially less obtrusive. I would estimate that the Slim Plate system is about half the thickness of a typical Arca Swiss compatible plate. The difference is more noticeable on smaller cameras such as a Sony A7r. The photo above shows the fit and finish of the Slim Plate attached to my Canon 1Ds Mark III compared to the bulk added by an Arca Swiss compatible RRS L-bracket. When considering its low profile fit, weight, and less bulk that the KPS Slim Plate has on a large DSLR like the Canon 1DsMark III, it really is remarkable. A line of sleek, low-profile, form-fitting, Slim-Plate L-brackets would really give a lot of photographers pause to reconsider.

Layout of the T5DV clamp

Layout of the T5DV clamp

The only issue I found, albeit minor, was with the T5DV clamp. Setting the clamp to be Arca Swiss compatible is easily and quickly accomplished by moving a single stainless steel pin from one setting to the other. However, in so doing, the camera plate is then slightly off center above the ball stem. This is not the case when using the Slim Plate system. This may or may not be an issue for some photographers. Regardless, the clamp does work well and overall I liked the speed of working with the T5DV lever release clamp better than the T5D screw clamp. My preference overall, however, is being able to attach the clamp of my choice using the base model T5.

Moss Landing Power Plant. ©2015 Ken Doo. Cambo WRS, Phase IQ180, Rodenstock HR70 t/s two-image vertical stitch. KPS T5DV geared ballhead on RRS TVC24. Thirty-four second exposure.

Moss Landing Power Plant. ©2015 Ken Doo. Cambo WRS, Phase IQ180, Rodenstock HR70 t/s two-image vertical stitch. KPS T5DV geared ballhead on RRS TVC24. Thirty-four second exposure.

Conclusion

Over the past five weeks I have used the KPS T5 geared ballhead in a variety of situations including portrait sessions, products, and landscape photography. I rarely use the Cube during portrait sessions because making adjustments is too slow. The speed of a ballhead during a portrait session important, yet still being able to make small adjustments during the session with the T5 was a pleasant surprise.  The T5 combines the benefits of a ballhead with the precision of a geared head. For those who already have the Arca Swiss Cube, buying the KPS T5 geared ballhead may not make sense unless your work requires a lighter geared head alternative that is capable of providing a stable platform for a larger DSLR or medium format camera system.  For those that have not yet succumbed to the Cube, the KPS T5 geared ballhead is a great high quality alternative. It may not come with a “Coach” leather bag, but the T5 provides similar quality and features, and at half the price of admission. My search for a smaller and lighter, geared ballhead has ended.  –Ken Doo, April 2015

Ken Doo is a professional photographer with a boutique portrait studio located in Carmel, California. He is also is a fine art printer and recently launched his new fine art printing website, www.carmelfineartprinting.com  From Vision to Print— order your photos on canvas and fine art papers online!  (831) 626-1844.

 

 

Rocco Mediate Scores the Cover for Ambassador Magazine

Posted in General, Portraiture with tags , , , , , , , , , on April 4, 2015 by kendoophotography
Golf Pro Rocco Mediate. ©2015 Ken Doo. Phase DF, IQ180, Schneider 150 LS.

Golf Pro Rocco Mediate. ©2015 Ken Doo. Phase DF, IQ180, Schneider 150 LS.

I don’t golf.  Plain and simple, golf becomes a dangerous game when I get my hands on a set of clubs. But living on the central coast of California places me in the heart of a golfer’s paradise, and I have been fortunate to have been selected to photographer several golf professionals, including Tom Kite, Joe Ogilvie, and recently Rocco Mediate.  The National Italian American Federation retained to photograph Rocco Mediate at Pebble Beach for a small publication, Ambassador Magazine.  I photographed Rocco and his wife Jessica on the 18th hole at Pebble Beach.

What Drives Rocco? ©2015 Ken Doo. Phase DF, IQ180, SK 150 LS

What Drives Rocco? ©2015 Ken Doo. Phase DF, IQ180, SK 150 LS

I chose to photograph this portrait session using my a Phase 645DF and Phase One IQ180 medium format digital back, along with a single studio strobe. The 18th hole at Pebble Beach provided a beautiful backdrop for the session. Rocco and his wife Jennifer both have friendly and affable personalities.  They were easy to photograph and made my job enjoyable. Rocco arrived at the golf links with his wife and a cigar in hand. He offered to set his cigar down, but I thought it was a perfect way to naturally add some of his personality to the portrait.

Rocco and Jessica Mediate. ©2015 Ken Doo Photography.

Rocco and Jessica Mediate. ©2015 Ken Doo Photography.

For more information on medium format digital photography, contact me at my boutique portrait photography studio in Carmel. Ken  (831) 626-1844

Carmel Fine Art Printing & Reproduction Grand Opening! 50% Off Prints Limited Time Offer!

Posted in Events, General, Landscapes, Nature & Wildlife, Portraiture, Weddings and Bridal with tags , , , , , , , , , , on March 11, 2015 by kendoophotography
Bonsai Rock Panorama  available printed on Hahn Photographic Baryta and Canson Rag Photographique. ©2015 Ken Doo. Cambo WRS, IQ180, HR70 t/s.

Bonsai Rock Panorama available printed on Hahnemuhle Photographic Baryta and Canson Rag Photographique. ©2015 Ken Doo. Cambo WRS, IQ180, HR70 t/s.

It’s official!  I’ve launched my fine art printing website, Carmel Fine Art Printing & Reproduction, making it easier to clients to order fine art prints, giclee canvas, and place re-orders for prints. To mark the grand opening and introduction of the website, online print orders will be 50% off  for a limited time only, until April 10, 2015.  Carmel Fine Art Printing & Reproduction was started for artists, photographers, and the general public to allow easier access to printing their images on the best archival fine art materials.  The website features an easy digital file uploading page tool which also allows users to open a free account, share their portfolio images with friends or their clients, and place orders from any device.  The website also allows for sending evaluation files and larger digital files for large prints and special orders, such as B&W K7 Piezography prints.

Gallery-wrapped stretched canvas ready for delivery.  Carmel Fine Art Printing uses archival Lyve canvas and state of the art printers using pigmented inks. Notice the great corners!

Gallery-wrapped stretched canvas ready for delivery. Carmel Fine Art Printing uses archival Lyve canvas and state of the art printers using pigmented inks. Notice the great corners!

Once files are uploaded, users can select print sizes, crop their images, and choose from many different fine art medias including photographic baryta papers, fine art cotton matte papers, and gallery wrapped canvas. Users can select finishing options from just a rolled print, to stretched canvas, canvas floaters and frames—ready to hang.  The fine art paper and canvas selections are exceptional and a step above normal photo lab offerings. The studio’s state of the art printers can produce images up to 44″ in width by whatever length.

Gallery wrapped and stretch bamboo!  Stretched fine art papers is a Carmel Fine Art exclusive!

Gallery wrapped and stretched bamboo! Stretched fine art papers is available to clients and is a Carmel Fine Art Printing & Reproduction exclusive offering!

Gallery wrapped stretched fine art papers is an exclusive offering from Carmel Fine Art Printing. It is a labor intensive process requiring hand coating of the fine art paper in preparation for stretching over 1.75″ wood bars. Bamboo paper is particularly well-suited for stretching, with the final product being tight as a drum.

Exceptional B&W printing is offered by Carmel Fine Art Printing & Reproduction.

Exceptional B&W printing is offered by Carmel Fine Art Printing & Reproduction.

Carmel Fine Art Printing & Reproduction is also one of the few printing studios to offer B&W K7 Piezography printing. Beautiful B&W prints are normally available on the studio’s Epson 9900 printer, with B&W K7 Piezography prints available only by special order. B&W prints from the studio’s K7 printer are simply exceptional.  K7 Piezography MPS selenium prints are available on both matte and glossy papers.  If clients do not have a print ready digital file, Carmel Fine Art Printing & Reproduction also provides high resolution scans and copy work for artists. This process produces a high quality digital file in preparation for the printing process. The studio uses a Phase One IQ180 medium format digital back with 80 megapixels, which is ideal for both color and B&W reproduction. The image above was reproduced using the IQ180 to first generate a high resolution file for some minor restoration work on a family image taken with a young President John F. Kennedy. The image was then printed on K7 B&W Piezography printer. This image exemplifies memorable portraits that are deserving of archival fine art printing!  Printing Family portraits, Wedding portraits, Anniversaries, and other special memories is no different than an artist or photographer seeking to use museum quality materials to sell or simply to display their work. Carmel Fine Art Printing & Reproduction helps you From Vision to Print.

Visit www.carmelfineartprinting.com and let me know your thoughts!  50% off prints introduction offer is for new clients and good until April 10, 2015. Use coupon code carmel50. Offer does not apply to featured artists galleries.  Professional/business accounts are welcome.  Please contact me at (831) 626-1844 for any questions.  Ken Doo

Capture Integration in Carmel—On the Road to Lake Tahoe!

Posted in Events, General, Landscapes, Nature & Wildlife with tags , , , , , , , , , , , on February 23, 2015 by kendoophotography
Lake Tahoe ©2015 Ken Doo Photography

Lake Tahoe ©2015 Ken Doo Photography. Cambo WRS, Phase IQ180, Rodenstock HR40

Last year marked the fifth annual Capture Integration in Carmel, an informal workshop led by Don Libby of Iron Creek Photography in Tucson, AZ, and me–Ken Doo Photography, featuring the finest in medium format digital photography. After much discussion with Don and Dave Gallagher of Capture Integration, we decided to take the show on the road.  This year’s event takes place in beautiful Lake Tahoe. We’ve already made a couple trips scouting the area for suitable locations, restaurants, and activities. The sixth year promises not to disappoint!  Photographers interested medium format digital photography can sign-up for the “Don, Ken, and CI in Lake Tahoe Not a Workshop Workshop” online. Registration is $349.00.  The online pdf itinerary gives a brief overview and will be updated shortly.  Contact me at my boutique portrait studio in Carmel or call (831) 626-1844 for questions. Ken

Legacy Water Polo Welcomes Olympian Tony Azevedo and Global Wave Water Polo Clinic

Posted in Events, General with tags , , , , , , , on January 11, 2015 by kendoophotography
Nathaniel Pettis at the Legacy-Tony Azevedo Water Polo Clinic.  ©2015 Ken Doo Photography

Nathaniel Pettis at the Legacy-Tony Azevedo Water Polo Clinic. ©2015 Ken Doo Photography

Over the January 10-11, 2015 weekend, Legacy Water Polo sponsored US Olympian Tony Azevedo and Dragon Jovanovic’s Global Wave water polo clinic held at the Santa Catalina Pool in Monterey, California.  The two-day clinic gave participants a great opportunity to learn from two of the best water polo players in the game.  I took photos of each participant with Tony Azevedo, with each player receiving an autographed 5×7 portrait at the end of the clinic.  The clinic was attended by over fifty water polo players from throughout California.

Tony Azevedo and Dragon Jovanovic of Global Wave and Mia and Whitney from Hard Core Polo.

Tony Azevedo and Dragon Jovanovic of Global Wave and Mia and Whitney from Hard Core Polo.

Photos from the water polo clinic may be viewed and purchased online at my event hosting website www.kendoophotography.instaproofs.com   Two separate online galleries gave been set up, one for each day of the clinic.  Please contact the studio for questions, requests, or to place a direct order.  Ken  (831) 626-1844

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